Something a bit different from me today, just to prove I’m not a one-note wonder. I’ve just finished watching Mel Gibson in ‘The Fatman‘ (2020) and it’s incredibly dark, but I have to admit to liking it. Bear with me whilst I explain – I’m not a movie critic, but I wanted to share my thoughts on a ‘Christmas Movie’.
There are many reasons I like this film. Despite some very dark scenes, there’s a hint of humour, not quite enough to offset the unsettling themes, but it’s welcome enough when it happens. It also tries to do something different, which I applaud, because same-is-same might be comforting and cosy, but an intelligently changed perspective really catches my attention.
It reminds me of two other genre-twisting ideas: The first is Arnie’s film Last Action Hero, which was a poor performer at the box office, largely IMHO because critics and moviegoers didn’t know what the hell to make of it. This is both good and bad, because it was a perspective shift satirising Hollywood, and not a big-budget Arnie blockbuster action flick.
Good on both counts.
It was dark, gritty and had some of the most intelligent and ruthless villains I’ve ever seen in a film, Charles Dance is excellent as the deadly hitman, and the hero gets beaten so badly at one point there’s a realistic scene in an ambulance where he’s dying of a sucking gunshot wound to the chest. Contrasted to ridiculous fart jokes, movie tropes and schlock within the same film and this is terribly dark and jarring.
Let’s move on briefly to the other example, which isn’t a film this time, but a TV Series called Grimm. Now, this was a program which tried different as well – reminding the audience that Grimm’s Fairy Tales as we know them are quite sanitised and have been given a saccharine sugar coating by Hollywood, but in truth, good readers:
They ain’t nice. Not one bloody bit.
Starting off well, Grimm was a take on monsters amongst us, and all the social commentary that comes with it (Season 4 and 5 devolved into absolute tripe though), but it shared that exploration of dangerous, inhuman things, violent monsters and horrible ways to die.
Between Arnie’s shooter and Grimm’s gore lies The Fatman. A tale of a mythical being made real, the same way Interview With A Vampire tries to make bloodsuckers real. It takes hearsay and common fable and drops it all together to produce something believable.
The writing has several golden moments, the dialogue being overall very good, and the actors seem to be having a fairly good time, elevating the script and film to a much higher degree to give a solid performance for something different.
And on that note, it’s a wrap.
Have a good day, adventurers!
Oh, and er, time’s running out to get your stocking filled – Santa knows whether you’ve been naughty or nice – so why not treat yourself to a definitely different read…?
War Mages: Sharpshooter…?